Chennai 600028 prashanth tamil movie review

Although this scene is salvaged to an extent because we get to laugh at the discord between the face and the voice, this ridiculous element is still out of place because it is not that kind of a film. A character wears a prosthetic mask and his face transforms completely into that of a different person- just like in the Mission Impossible movies. Venkat Prabhu is at his preposterous best here.

Yet another promising director has become a victim of the chalta hai apathy, throwing garbage at his viewers in the name of entertainment. While I loved the first one hour for how low-key and genuinely funny it was, nothing could have prepared me for the monster that the film went on to become. It wouldn't have been much better, but it would have at least not given me a headache. The film's third act is so dense and over-written that it could have been a five part miniseries. With 'Biriyani', he has snapped all his indie roots, if I may call it that, and made a film that goes on to become as horrifically confusing as it was promising at the beginning. Anyone could have made a 'Mankatha' or, yes, even 'Biriyani'. They continued to have these minor touches that made them uniquely his, but they also became more and more indistinguishable. The bigger his films got, the less relatable they became. Some people just cannot handle the scale, and this his true in Venkat's case. Most have been a commercial success but none had the warmth and realism of his debut film. It's been six years since Venkat Prabhu wrote and directed 'Chennai 6000028', and he has went on to release four more films in that time.

Chennai 600028 prashanth tamil movie review